Kiik A. K.
pomegranate
I realize I am one instant in the sequence of scraps
My mother ate a mouse, I came out of her a little mouse
I swallowed a cricket, the noise I sang was partly cricket
When I strike down another man
It is something like I’ve watched my father do before
When I am struck I fall into my father’s dustbin
I understand I am one word passing through your eye
Its debris feeding the hunger of every other word
I know the voice is an invisible barb sent up
Into the fray of ornithological tatters
I know the wind measures the length of my voice
By its longing to devour the next mouth
Another sack of flour is carried through the crematorium
The voice is rinsed in bathwater and ash
The pomegranate spits hot blood on the sand
I am bleeding into the bag my brother is wringing
the organ
A poet ate her own hand!
That is worse than the average cannibalism
A cannibal that swallows his teeth
Has to gum all the person he can
We have charred the limbs they twisted as they cooked
We strung the fat the fire reached up to guzzle it
Now we dance around a pouch of caramel
The eyes are crème brulee for the children to spoon at
Why her own hand?
Is that not her reproductive organ and
How will she get scratched?
Every day a poet should dip her hand in poison
Every day another coat of barbs
To chew your ambition only provokes appetite
As when you lop a finger off and
The neighboring fingers grow superpowers
Pull a white hair and the
Alzheimer’s becomes more fierce
You can try and be rid of your nature
You can knit a sweater around the torso of a chimp
And teach him in origami how a diaper
Is also an envelope
But one day he will strangle you
As you walk in front of his bananas
You think reifications won’t strangle
You think they won’t clog the tunnels
Of your neighborhood
They are suffocating your neighbor this moment
At her birthday party and laughing
The poet can cast all her flour to the grease
But that is only to eat your fire in a mouth of gasoline
BIO
KIIK A.K. earned an MA from UC Davis where his poetics thesis was titled “THE JOY OF HUMAN SACRIFICE.” He is a current graduate student at UC San Diego where he is working on a collection of counter-internment narratives, tentatively titled, “EVERYDAY COLONIALISM.” His work has appeared or is forthcoming in iO, Washington Square, Alice Blue Review, Barge Press, The Brooklyner, Scythe and CutBank. “pomegranate” and “the organ” are dedicated to the poet and musician, Ben Doller.